It’s a poet’s response to Kendrick Lamar’s excellent album, “To Pimp A Butterfly”. It’s the inspiration. Kendrick inspired the rawness, the honesty, the self-reflection, and the consideration of the words but it’s all OneVoice. It’s all poetry. There is no dependence on the slam poet’s cadence or popular instrumentals. It is, however, a theatrical experience. It is a reason that academia should STUDY true contemporary poets and artists (I am both, they are one).
“From Prophet To Prophet” is a poet’s frustration, a poet’s revelation, a poet’s love realized in virtual format. It’s spirituality, cultural awareness, and a giant leap towards freedom. I engineered every track, co-engineered one with artistic colleague DaiTrell Ingram. The focus though, is the writing. Its the poetry. Any production used is only to complement the writing (hence, no instrumentals or over-rendering of the words).
The tracks are actually more so “acts” followed by “scenes”. I’m giving you a virtual show in your ear. And if you ever attended a Well Versed Xpressionz show at UNC-Greensboro, we never just gave you spoken word. We always gave you a story. I’m giving you a plethora of stories all focused on one overall motif: freedom.
Check out my Facebook page to get an early preview of the track listing. The first 10-20 good people that share that post will get an exclusive preview, before the official release next week, of one of my most powerful scenes from the collection: “The Sins Of White Men”. OneVoice, that is myself, ain’t holding back no more. I done told ya’ll, “Art MOVES and Poetry TALKS”. I’m gonna continue to be EXCELLENT whether anyone recognizes it or not. It’s time that ya’ll truly experienced OneVoice. Enough said.